Which is best for rock solid sync? Is the MTP's clock even up for the job, or should I cut my losses and invest in a sync box? And in terms of MMC (e.g.
#E rm multiclock usb sync interface manual
I've flicked through the manual and 'audio click to MIDI' through Pedal A on the MTP seems like the most sensible option but the other sync options (SMPTE, ADAT, Word Clock etc.) are really confusing me. Moreover, the actual hardwired connection really is quite simple:Īudio out (audio interface) -> audio in (sync box) -> MIDI out (sync box)īut how would I replicate this with a 828 MK2 FW and a MTP AV USB? plugin for synchronising a DAW via sound. While the ERM (and the significantly cheaper Expert Sleepers Usamo) both use a VST plugin to generate the audio click, is there any reason you couldn't just use Ableton's stock metronome to generate the click? 4-Channel Multi-Clock Synchronizes electronic musical instruments to a master DAW, Converts clock signals, Incl.
'Sample accurate MIDI clock' is a phrase that gets banded about a lot from what I understand this is simply the process of converting an audio click into MIDI clock. I've long pined after an ERM Multiclock, described by many as the saviour of all hybrid setups, but given it's also £450 I've turned my attention back to the MOTU gear sitting in my rack. I'm therefore looking for a solution that will allow me to use both the MPC and the DAW in tandem. In terms of audio I multi-track 16 channels into Ableton via 2x 828s, but since I don't sync the DAW and the MPC, each recording has to be done in one take and any overdubs have to be lined up manually. I've got them linked up via network cable, running in Clockworks on the latest build of Catalina, and as a standalone 16x16 MIDI patchbay routing MIDI from my MPC1000 it's absolutely flawless. I recently bought a MTP AV USB and MTP II to allow for more flexible MIDI routing within my hardware setup.
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